Looking at images of Georgian life, one gets the impression that the use of tobacco was neither general nor widespread. Caricatures tend to depict an exaggerated truth, and only in a few does one find a pipe smoker, and in none a man taking snuff.
Rowlandson shows one soldier smoking in a group of five, and similarly one working man among seven in a pub. A few men are depicted taking a pipe at their own hearth. Ackermann’s Fleet Prison yard, with groups enough to form a crowd, has one lone fellow with smoke issuing from his long clay pipe. Only Hogarth has half the males smoking pipes in a single group, and that is in a scene of drunken debauch!
It seems fair to assume, then, that although smoking was prevalent not everyone indulged in the habit; those who did confined their pipes to the pub, the coffee house or home. One can also be confident that far fewer women than men took tobacco at all, although an image of an elderly working class dame with a pipe pops up occasionally.
Clearly many did use snuff, because it was a high production trade and is mentioned in contemporary accounts. But although tobacco had a place, it seems unlikely that its use was anything like as widespread as it was during the earlier years of the twentieth century. Yet those Georgians who disapproved of the use of tobacco appear convinced that it was highly prevalent in their own time.
I have not yet killed off a character with tobacco, but I well might. The dangers were known. Tobacco is listed in a late 18th Century treatise on poisons. According to the writer, there was evidence to suggest it was an active poison, “yet everyone knows that under the influence of habit it is used in immense quantities over the whole world as an article of luxury, without any bad effect having ever been clearly traced to it.”
Much was made of the effects of snuff on workmen who manufactured it, some sources claiming it gave them bronchitis and dysentery among other ailments, but others managed to prove that workmen became used to it and didn’t suffer any ill effects. As ever, those with a vested interest will find a way to prove their point!
Such symptoms as were noted are known to us now: speeded up heart rate, giddiness, shortness of breath, spasms, fainting, sickness, weak pulse and sleepiness. One doctor suspected apoplexy (heart attack) “is one of the evils in train of that disgusting practice”, referring to taking snuff. Two young men actually died from tobacco poisoning, having smoked about “seventeen pipes at a sitting”. One wonders how that compares with 20 or 40 a day now?
We are indebted to a French chemist of the era, Vauquelin, for naming the killer substance in tobacco as nicotine. Later chemists argued about which precise part of tobacco caused the problems, but it was generally agreed that tobacco contained an “acrid, alkaline principle and an essential oil to which the alkaloid adheres with great obstinacy”, which was bad news.
As early as King James, who wrote “The Counter-Blaste to Tobacco” within a few years of its introduction into Europe by Sir Walter Raleigh, it was believed that the smoking habit would result in “evil consequences” because of its poisonous qualities. Some governments tried to stop its introduction, although their methods were harsher than our current bans on smoking in public places. Popes excommunicated those who smoked in St Peters; in Russia it was punished with amputation of the nose; and in the Canton of Bern it ranked next to adultery.
Did that make any difference? Not according to the treatise writer: “Like every other persecuted novelty, however, smoking and snuff-taking passed from place to place with rapidity; and now there appear to be only two luxuries which yield to it in prevalence, spirituous liquors and tea.”
Plus ça change, plus c’est la meme chôse!
I suspect the anti-tobacco sentiment we now live with had its effect on my writing without conscious decision, because in the Lady Fan Mysteries, Francis does not indulge in this habit, although Ottilia is addicted to coffee. But one could not faithfully write of the Georgian and Regency worlds without including tobacco. Thus, at least one character takes snuff in Fated Folly and in Seventh Heaven, my poet hero Septimus Berowne smokes a long pipe in private, as does Jeremiah Wagstaff in The Deathly Portent, puffing at his clay pipe in his corner of the Cock and Bottle.